Продвинутые диалоги

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Продвинутые диалоги
Серия: Продвинутое квестописания, глава 3
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Краткий обзор

Эта глава расскажет больше о системе диалогов. Научит более гибко настраивать реплики персонажей, в том числе и в бою.

Ты узнаешь:

Какие специальные темы существуют.
Как использовать сброс таймеров.
Как описать реплики в бою.
Как заблокировать тему.

Special Topics

Up until now, we've been generally writing normal dialogue that's driven by the player directly talking to an actor. That's obviously important stuff, but to really give some semblance of realistic life to the world, we need to write ambient dialogue, combat lines, player reaction lines, etc. (You may now proceed making jokes about taking arrows in the knee. I'll be here when you're done.)

If you followed along with the loose ends portion of the intro tutorials, you've had some experience with special topics. Rather than being directly driven by the player's choices in a dialogue menu, special topics get played by the engine when certain events occur. If you look at the Misc tab in the quest window (where we went to make the Hellos and Goodbyes), then you can see all the other general events that we have.

All game's dialogue for a given type of topic lives in one giant pool. When the game determines that an actor should say a line of dialogue, like a Hello, it starts by considering every info in every Hello topic that's been defined in a running quest. It takes each topic's stack of infos and sticks them on top of each other in the order of quest priority (so a quest with a priority of 70 will always have its infos chosen before the ones of a quest with priority of 50). Once this giant stack is made, it starts at the top and goes one by one until it finds an info whose conditions are all true, and fires that one.

If it gets to the bottom of the stack and no info has passed, the actor will say nothing.

If you're a programmer, you might be clawing the table at the very notion of how inefficient this sounds. The reality of how it works under the hood is more complex and much more efficient, but at a conceptual level, this is what the engine is doing.

Reset Timers and One-Time Lines

The game provides some simple functionality for making sure a single line doesn't get said too often. (Still making arrow in the knee jokes? Fine, take your time.)

Along the middle of the Info window, there's a series of checkboxes, pulldowns, and text fields.

Say Once

As you might guess, checking this box means that the line of dialogue will only ever be said once. After that, it will never be considered again. Obviously you want to be careful not to put any plot-crucial dialogue in a Say Once info, since the player might miss it. This is best used for lines that a character uses for introduction.

Hours until reset

Once this line has been said, it will be considered invalid until this many in-game hours have passed. This helps limit the repetition a bit, but keeps us from having to write substantially more dialogue. Note that this number cannot be longer than 24 hours; any longer duration entered will be reset to 24 hours by the Creation Kit.

Random

Imagine the case of a hello stack written for a particular actor -- we don't want them to constantly repeat it in the same order, since it would make them seem slightly robotic. So we can't just use reset timers to drive this behavior. Instead, we can mark these lines as Random, and the game will deliver all valid lines in an unpredictable order.

Of course, if these hellos are specific to a particular stage of a quest, we don't want to fall through to generic dialogue after they're exhausted. So we can mark a line at the bottom of the stack as "Random End" to keep the info selection system from dropping below this particular set.

If this is confusing, there's an example below.

How to Use All of This

Open up our venerable GSQ01 quest and navigate to its Misc tab. Open the GSQ01Hellos topic that we made earlier. You can note that we've set up Bendu to only ever say "I can't thank you enough for helping me" when we've completed the quest. That kind of makes him a little... silly. So let's let him vary it up.

First, open up the "I can't thank you..." info, and mark it as random, then give it a reset time of 0.5 hours. Close it, then right-click and select "Copy" to duplicate the line. Do this twice more, so we have a total of four lines. Edit the three new lines as follows:

"I can only imagine how thrilling the fight with that thief was!"
"A beautiful piece, isn't it? I'm thrilled to have it back."
"Oh, something else?"

Now open that last line and mark it as "Random End." Note that this line intentionally is a bit non-committal and uninteresting -- it signals to the player that this NPC doesn't really have anything else to say in the way of hellos. Now he will deliver the first three lines randomly, and when when they've been exhausted, he will only say the last line until the reset timers have completed.

Combat Lines

"Like the bite of a flea!"

There's also a "Combat" tab in the quest window, where topics for events related to combat live. You can construct these just like you would a Hello, and the game will spit them out using the same kind of logic. Reset timers, stacks, quest priorities, etc. all work the same way.

Creation Kit systems can seem a little indirected and complex at first, but once you understand them, they tend to apply across lots of contexts (as we're seeing with conditions and info stacks).

Учебник Bethesda Продвинутые диалоги

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