Difference between revisions of "WaterType"

The Fresnel effect gives the observation that the amount of reflectance you see on a surface depends on the viewing angle. The higher the amount is, the more reflective the surface will be due to allowing more reflective viewing angles.

*'''Falloff''': Determines the time range before the water displacement dissipates. (e.g. how quickly you want the displacement to dissappear)

*'''Dampner'''

===Liner Velocity===

Which channel of the noise texture we want to adjust. Currently only use the first 3 channels (RGB)

The 360 degree direction we scroll this height map channel in. We do not actually rotate the texture data but rather just scroll the texture coordinates based on the 360 degree vector direction. What this means is, you have to build any direction of the wave patterns into the height-map if you want some sort of actual directional movement. (e.g. You wouldn't want waves built on the Y-axis to scroll along the Y-axis causing the waves to appear to move sideways. You would instead want them to scroll on the perpendicular X-axis so they appear to be moving forward in 3D space.)

Determines the final scaled value of the heights in each height map channel. At 100%, we would be using exactly the heights that are in the texture. Since we combine all 3 height channels into a final normal, we don't want all 3 height channels to be at 100% (unless you have scaled the heights down in each channel manually already). This is because we will have height values reaching above 1.0 and cause the heights to become saturated. This would give us a very flat normal map with the incorrect wave formation. The final look would be as if all waves were at their peak and there was no falloff at all.

We can scale down any specific height map channel to tile if necessary. I would recommend against using this per-height map channel. A better solution is just to generate the scales you want when you generate the height map channel to begin with. This is better suited for re-using the same height map on a different water surface but allowing you to get some different results to make the water surface look more unique while still using the same height map texture memory. Since artists are restricted to 1 height map per-world-space, this is a good way to have multiple water types that still look different from each other while still using the same height map data.

This determines the falloff curve used for the strength of the normals further from the camera position. The smaller the value, the closer to the camera position will cause the normals to be scaled down until they reach 0. It is possible to have these values high enough so that the normals are at 100% across the entire 5x5 region. However, they will currently not blend correctly into the LOD water unless we come up with some solution.

This determines what noise texture is used for this water type. In exteriors, this has to match up to the world-space water type or a warning will trigger. In interiors, the restriction is removed allowing each water type to use whatever noise texture it desires. We only allow this since, on average, interiors run faster then exteriors. However, it will still be up to the artist/designer setting up the interior to make sure that they do not abuse the texture memory by going overboard with water types using multiple unique height-maps.

Which fog values to adjust.

: Above water fog is seen when looking down into the water from above its surface.

: Underwater fog is seen while under the water surface looking into the distance.

This scales the overall fog amounts in the water. When looking at the water from above, it is blending between the refractions and the fog colors to determine the final color outcome.

The near plane used to determine where the fogging should begin.

The far plane used to determine where the fogging should end. Everything beyond this value is the full deep water color value.